Atmosphäre
Dorf in der Sierra del Tigre
Luis Barragán, FATLB
Reading Room
Studio Mumbai, Nagaon, Maharashtra, India, 2003
Foto: Roloff Beny
Islamic Architecture
Erste Bilder zur Therme Vals
Atelier Zumthor
Morning Cleaning, Barcelona Pavillon
Jeff Wall, 1999
Stadl mit Misthaufen
Bernhard Fuchs, Damreith, 2010
Architecture, sculpture and painting are specifically dependent on space, bound to the necessity of controlling space, each by its own appropriate means. The essential thing that will be said here is that the release of esthetic emotion is a special function of space.
Le Corbusier
Church of the Light
Hiroshi Sugimoto, 1997
Lewin House
Richard Neutra, Santa Monica, Kalifornien, 1938
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
Atelier
1897, Foto: Charles Rennie Mackintosh
Laboe
Foto: Boris Becker (1996)
Evangelische Kirch Simmering
Roland Rainer, Wien, 1963, Foto: Lucca Chmel
Heuhaufen
Bernhard Fuchs, Neuschlag, 2009
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
The modern Room
Interior Design by Emila Sada + Giorgio Madini Moretti, 1967
Indoor Garden
Indoor Garden
At the turn of the millennium, the great challenge for architects is the re-sensualisation, re-mythologisation and re-poetisation of the human domicile.
Juhani Pallasmaa
Upper Lawn Pavillion
Alison and Peter Smithson, Tisbury, Wiltshire, England, 1962
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Case Study House #8, Eames House
Charles & Ray Eames, 1950, Los Angeles, Pacific Palisades, Foto: Julius Shulman (1958)
Kimbell Art Museum
Louis Kahn, Fort Worth, Texas, 1972
Volksgarten-Café
Oswald Haerdtl, Wien, 1950, Foto: Margherita Spiluttini (2003)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan
Lichtung
Thomas Demand, 2003
Moriyama House Model
Ruye Nishizawa, Kamata, Tokio, 2005, Foto: Walter Niedermayr
Foto: Hélène Binet