Atmosphäre
Villa Katsura, Steinweg
Kyoto, Japan, 17. Jhdt., 1954, Foto: Ishimoto Yasuhiro (1954)
Dominus Weingut
Herzog & de Meuron, Napa Valley, Kalifornien, 1997, Foto: Margherita Spiluttini
Innenhof des Hauses Gálvez
Luis Barragán, Chimalistac, Mexiko-Stadt, 1955, Foto: Alberto Moreno Gúzman
Ballroom House at Pampulha
Oscar Niemeyer, Belo Horizonte, Brazil, 1943, Foto: Pedro Kok
Heilig-Kreuz-Kriche
Josef Lehmbrock, Düsseldorf, 1958
Performance still from Moving Target
Diller&Scofidio, Palais de Beaux-Arts, Brussels, 1996
The Weather Project
Olafur Eliasson, Tate Modern, London, 2003
Islamic Architecture
Silvertop
John Lautner, Los Angeles, 1980, Foto: Julius Shulman
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Foto: Roloff Beny
Row house – small environments around
Junya Ishigami
Lichtung
Thomas Demand, 2003
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Reading Room
Studio Mumbai, Nagaon, Maharashtra, India, 2003
Entwurf für die Bibliothek Royale de Paris
Ètienne Louis Boullée, 1784
Convair Astronautics
Pereira & Luckman, San Diego, California, 1958, Foto: Julius Shulman
Foto: Robert Adams
Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
Liz Diller
Case Study House #8, Eames House
Charles & Ray Eames, 1950, Los Angeles, Pacific Palisades, Foto: Julius Shulman (1958)
Erste Bilder zur Therme Vals, Blockstudien »Steinbruchbilder« Felsblöcke stehen im Wasser
Peter Zumthor
New York Public Library
Foto: Candila Höfer (1999)
The indistinction of inside and outside leads to the discovery of another dimension.
Deleuze & Guattari
Ricola Europe Factory and Storage Building
Herzog & de Meuron, Mulhouse, France, 1993
Schindlers's House
Hiroshi Sugimoto (1997)
Erste Bilder zur Therme Vals, aufgeschnittene Hänge und Felskörper
Atelier Zumthor
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan
Stadlausfahrt
Bernhard Fuchs, Geierschlag, 2005
DDSG Schiffsanlegestelle
Eugen Wachberger, Linz, Lucca Chmel (1958)
DDSG Schiffsanlegestelle
Eugen Wachberger, Linz, Lucca Chmel (1958)
DDSG Schiffsanlegestelle
Eugen Wachberger, Linz, Lucca Chmel (1958)