The modern Room
Interior Design by Emila Sada + Giorgio Madini Moretti, 1967
Dominus Weingut
Herzog & de Meuron, Napa Valley, Kalifornien, 1997, Foto: Margherita Spiluttini
Villa Katsura, Gartentür hinter dem Eingang
Kyoto, Japan, 17. Jhdt., Foto: Ishimoto Yasuhiro (1954)
Espresso Hochhaus
Friedrich Euler, Wien, Lucca Chmel (1951)
Galvez House
Foto: Hiroshi Sugimoto (2002)
Installation im Walker Art Center in den 70er Jahren
Thomas Barlow Walker, Minneapolis, Minnesota
Installation im Walker Art Center in den 70er Jahren
Thomas Barlow Walker, Minneapolis, Minnesota
Artigas House
João Batista Vilanova Artigas, São Paulo, Brazil, 1949, Foto: Pedro Kok
Tlalpan Chapel
Foto: Hiroshi Sugimoto (2002)
Midtown-Manhattan
Foto: Andreas Feininger
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Church of San Zaccaria, Venice
Foto: Thomas Struth (1995)
A certain type of perfection can only be realized through a limitless accumulation of the imperfect.
Haruki Murakami
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Seijo Apartments, model in section
Kazuyo Sejima & Associates
Seijo Apartments, model in section
Kazuyo Sejima & Associates
Kolumba Art Museum
Peter Zumthor, Köln, 2007
Kolumba Art Museum
Peter Zumthor, Köln, 2007
At the turn of the millennium, the great challenge for architects is the re-sensualisation, re-mythologisation and re-poetisation of the human domicile.
Juhani Pallasmaa
Österreichisches Parlament
Max Fellerer und Eugen Wörle, Wien, Lucca Chmel (1956)
Barragan House
Luis Barragan, Mexico City, Mexico, 1948
The American Restaurant in Kansas City in 1974
Warren Platner
Misthaufen
Bernhard Fuchs, Uttendorft, 2009
Small Images
Junya Ishigami, 2008
Kunsthaus Bregenz
Candila Höfer (1999)
Kimbell Art Museum
Louis Kahn, Fort Worth, Texas, 1972
Kloster Actopan, die Außengalerie
Foto: Luis Barragán
Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
Liz Diller
Heilig-Kreuz-Kriche
Josef Lehmbrock, Düsseldorf, 1958
Stadlausfahrt
Bernhard Fuchs, Geierschlag, 2005
Seattle Central Library Rem Koolhaas and Joshua Prince-Ramus
Seattle, 2004
Strandbad Gänsehäufel
Max Fellerer und Eugen Wörle, Wien, Foto: Lucca Chmel (1950)
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault