Still aus Meshes of the Afternoon
Maya Deren, 1943
Kloster von Tlalpan
Luis Barragán, Tlalpan, Mexiko-Stadt, 1960, Foto: Alberto Moreno Gúzman
Kloster von Tlalpan
Luis Barragán, Tlalpan, Mexiko-Stadt, 1969, Foto: Jérôme Habersetzer und Danièle Pauly
Rain
Villa Katusra, Steinweg
Kyoto, Japan, 17. Jhdt., Foto: Ishimoto Yasuhiro (1954)
Atmosphere is my style.
J. M. W. Turner zu John Ruskin
Brooklyn Bridge
Foto: Hiroshi Sugimoto (2001)
Museo Civivo Vicenza II
Foto: Candila Höfer (1988)
Seijo Apartments, model in section
Kazuyo Sejima & Associates
Seijo Apartments, model in section
Kazuyo Sejima & Associates
Hof
Bernhard Fuchs, Kepling, 2005
Midtown-Manhattan
Foto: Andreas Feininger
Dominus Weingut
Herzog & de Meuron, Napa Valley, Kalifornien, 1997, Foto: Margherita Spiluttini
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Philippe Petit balances as he walks between the World Trade Center
Österreichisches Parlament
Max Fellerer und Eugen Wörle, Wien, Lucca Chmel (1956)
Neige Fleur Bar
Hitoshi Abe, Tokyo, 1999
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
Indoor Garden
Indoor Garden
Devendra Banhart | photographed by Lauren Dukoff for her book “Family”
Nacht 2 III
Thomas Ruff, 1992
Galvez House
Foto: Hiroshi Sugimoto (2002)
At the turn of the millennium, the great challenge for architects is the re-sensualisation, re-mythologisation and re-poetisation of the human domicile.
Juhani Pallasmaa
Bourse du Travail Calais
Foto: Candila Höfer (2001)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Villa Planchart
Gio Ponti, Caracas, Venezuela, 1956
Villa Planchart
Gio Ponti, Caracas, Venezuela, 1956
Österreichische Nationalbank Linz
Erich Boltenstein, Eugen Wachberger, Linz, Lucca Chmel (1953)
Woodland Chapel
Hiroshi Sugimoto (2001)
Atelier
1897, Foto: Charles Rennie Mackintosh
A certain type of perfection can only be realized through a limitless accumulation of the imperfect.
Haruki Murakami
Bibliothèque Sainte-Geneviève Paris
Foto: Candila Höfer (1997)