Case Study House #8, Eames House
Charles & Ray Eames, 1950, Los Angeles, Pacific Palisades, Foto: Julius Shulman (1958)
Schloss Schönbrunn, Ruine
Johann Ferdinand Hetzendorf von Hohenberg, Wien, 1778, Foto: Margherita Spiluttini (1987)
Booth House
Smith and Williams, Beverly Hills, 1956, Foto: Julius Shulman
Heustadl
Bernhard Fuchs, Neuschlag, 2009
Still aus Meshes of the Afternoon
Maya Deren, 1943
The modern Room
Interior Design by Emila Sada + Giorgio Madini Moretti, 1967
Museo Civivo Vicenza II
Foto: Candila Höfer (1988)
Upper Lawn Pavilion
Alison and Peter Smithson, West Tisbury, England, 1962
Kolumba Art Museum
Peter Zumthor, Köln, 2007
Kolumba Art Museum
Peter Zumthor, Köln, 2007
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Geräteschuppen
Bernhard Fuchs, Neuschlag, 2009
Morning Cleaning, Barcelona Pavillon
Jeff Wall, 1999
Stadl mit Misthaufen
Bernhard Fuchs, Damreith, 2010
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
Misthaufen
Bernhard Fuchs, Uttendorft, 2009
Kunsthaus Bregenz
Candila Höfer (1999)
A certain type of perfection can only be realized through a limitless accumulation of the imperfect.
Haruki Murakami
The homesteader dugouts of Pie Town
New Mexico, 1940
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Singelton House
Richard Neutra, Los Angeles, 1959, Foto: Julius Shulman (1960)
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
Espresso Hochhaus
Friedrich Euler, Wien, Lucca Chmel (1951)
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan
Convair Astronautics
Pereira & Luckman, San Diego, California, 1958, Foto: Julius Shulman
Installation im Walker Art Center in den 70er Jahren
Thomas Barlow Walker, Minneapolis, Minnesota
Installation im Walker Art Center in den 70er Jahren
Thomas Barlow Walker, Minneapolis, Minnesota
Zur Ethik der Raumerzeugung gehört die Verantwortung für die Atmosphäre.
Peter Sloterdijk
On the Flathead River near Glacier National Park, Montana
Wohnzimmer
Margarete Schütte-Lihotzky, Wien, Foto: Margherita Spiluttini (2000)
Foto: Coco Young
Japanischer Pavillon auf der Biennale
Junya Ishigami, Venedig, 2008