Schloss Schönbrunn, Ruine
Johann Ferdinand Hetzendorf von Hohenberg, Wien, 1778, Foto: Margherita Spiluttini (1987)
The American Restaurant in Kansas City in 1974
Warren Platner
Foto: Hélène Binet
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Foto: Robert Adams
Residence that resembles a very small forest
Junya Ishigami
Deutsche Botschaft
Georg Lippert, Rudolf Gutbrod, Wien, Lucca Chmel (1965)
Deutsche Botschaft
Georg Lippert, Rudolf Gutbrod, Wien, Lucca Chmel (1965)
Heuhaufen
Bernhard Fuchs, Neuschlag, 2009
Paris
Paris (Grand Palais)
Alécio Andrade, 1975
Südbahnhotel
Semmering, Österreich, Margherita Spiluttini (1991)
Morning Cleaning, Barcelona Pavillon
Jeff Wall, 1999
A certain type of perfection can only be realized through a limitless accumulation of the imperfect.
Haruki Murakami
Kolumba Art Museum
Peter Zumthor, Köln, 2007
Kolumba Art Museum
Peter Zumthor, Köln, 2007
Moore House
Richard Neutra, Ojai, California, 1952, Foto: Julius Shulman
Salzburger Festspiele – Ödipus Rex
CoopHimmelblau, 1994, Margherita Spiluttini
Stadl mit Holunderbeerensträuchern
Bernhard Fuchs, Herrnschlag, 2010
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
REHAB Basel
Herzog & de Meuron, Basel, 2002, Foto: Margherita Spiluttini (2003)
Wien Museum
Wohnzimmer Adolf Loos, Foto: Margherita Spiluttini (2003)
Unité d'habitation
Le Corbusier, Marseille, 1952
Unité d'habitation
Le Corbusier, Marseille, 1952
All rooms are passages of light.
Yoko Ono in: The Other Rooms
Atelierhaus
Roland Rainer, St.Margarethen, Österreich, 2002, Foto: Margherita Spiluttini
Barragan House
Foto: Hiroshi Sugimoto (2002)
Hauptschule Paznaun
Noldin&Noldin, Kappl, Österreich, 2004, Foto: Margherita Spiluttini
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
U-House
Toyo Ito, Tokyo, 1976
Deutsche Bücherei Leipzig
Foto: Candila Höfer (1997)
Woodland Chapel
Hiroshi Sugimoto (2001)
The modern Room
Interior Design by Emila Sada + Giorgio Madini Moretti, 1967
Schindlers's House
Hiroshi Sugimoto (1997)
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl