Nacht 2 III
Thomas Ruff, 1992
Museo Civivo Vicenza II
Foto: Candila Höfer (1988)
Villa Katsura
Kyoto, Japan, 17. Jhdt., Ishimoto Yasuhiro (1954)
Woodland Chapel
Hiroshi Sugimoto (2001)
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
Foto: Robert Adams
Entwurf für die Bibliothek Royale de Paris
Ètienne Louis Boullée, 1784
Unité d'habitation
Le Corbusier, Marseille, 1952
Unité d'habitation
Le Corbusier, Marseille, 1952
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Galvez House
Foto: Hiroshi Sugimoto (2002)
Villa Katsura, Gartentür hinter dem Eingang
Kyoto, Japan, 17. Jhdt., Foto: Ishimoto Yasuhiro (1954)
Performance still from Moving Target
Diller&Scofidio, Palais de Beaux-Arts, Brussels, 1996
South Bay Drive-In
Hiroshi Sugimoto, 1993
Garagentor
Bernhard Fuchs, Neuschlag, 2009
A Path in The Forest
Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, Foto: 2011
A Path in The Forest
Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, Foto: 2011
A Path in The Forest
Tetsuo Kondo Architects, Kadriorg Park, Tallinn, Estland, Foto: 2011
One of our interests is how to create a landscape for people.
Sanaa
Das eigene Haus
Karl Schwanzer, Wien, 1962, Foto: Margherita Spiluttini (1995)
The image is the reality, therefore there is no reality.
John Lautner
Ebelin Bucherius House
Richard Neutra, Tessin, Schweiz, 1966, Foto: Martin Hesse
Heustadl
Bernhard Fuchs, Neuschlag, 2009
Südbahnhotel
Semmering, Österreich, Margherita Spiluttini (1991)
Deutsche Bücherei Leipzig
Foto: Candila Höfer (1997)
BNF Paris
Foto: Candila Höfer (1998)
Villa Katsura, Steinweg
Kyoto, Japan, 17. Jhdt., 1954, Foto: Ishimoto Yasuhiro (1954)
The modern Room
Interior Design by Emila Sada + Giorgio Madini Moretti, 1967
Augustinerkirche
Henke&Schreieck, Wien, 2003, Foto: Margherita Spiluttini
Architecture, sculpture and painting are specifically dependent on space, bound to the necessity of controlling space, each by its own appropriate means. The essential thing that will be said here is that the release of esthetic emotion is a special function of space.
Le Corbusier
Lewin House
Richard Neutra, Santa Monica, Kalifornien, 1938
Museum of Modern Art
Affonso Eduardo Reidy, Rio de Janeiro, 1953