»The Barn« Home and studio of A. Quincy Jones
California, 1950
Fingerle Haus
Christoph Mayr Aichner, Klausen, Südtirol, 2005, Foto: Walter Niemeyer
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
Modell Therme Vals
Peter Zumthor
All rooms are passages of light.
Yoko Ono in: The Other Rooms
Villa Katusra, Steinweg
Kyoto, Japan, 17. Jhdt., Foto: Ishimoto Yasuhiro (1954)
Volksgarten-Café
Oswald Haerdtl, Wien, 1950, Foto: Margherita Spiluttini (2003)
Peter Zumthor in his studio
Joseph Eichler Company
one of over 11,000 homes, California, 1950–1974
Devendra Banhart | photographed by Lauren Dukoff for her book “Family”
What you see depends on where you stand.
C.S. Lewis
Midtown-Manhattan
Foto: Andreas Feininger
Residence that resembles a very small forest
Junya Ishigami
Reading Room
Studio Mumbai, Nagaon, Maharashtra, India, 2003
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Cloudscape
Tetsuo Kondo, Biennale Venedig, 2010
Dorf in der Sierra del Tigre
Luis Barragán, FATLB
Heuhaufen
Bernhard Fuchs, Neuschlag, 2009
Villa Planchart
Gio Ponti, Caracas, Venezuela, 1956
Villa Planchart
Gio Ponti, Caracas, Venezuela, 1956
Performance still from Moving Target
Diller&Scofidio, Palais de Beaux-Arts, Brussels, 1996
On the Flathead River near Glacier National Park, Montana
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
Foto: Julius Shulman
Hauptschule Paznaun
Noldin&Noldin, Kappl, Österreich, 2004, Foto: Margherita Spiluttini
Church of the Light
Hiroshi Sugimoto, 1997
Woodland Chapel
Hiroshi Sugimoto (2001)
Glass Palace
Frits Peutz Schunck, Heerlen, Niederlande, 1935
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
House & Garden
Ryue Nishizawa, Tokyo, Japan, 2011
Heilig-Kreuz-Kriche
Josef Lehmbrock, Düsseldorf, 1958
Architecture, sculpture and painting are specifically dependent on space, bound to the necessity of controlling space, each by its own appropriate means. The essential thing that will be said here is that the release of esthetic emotion is a special function of space.
Le Corbusier
Upper Lawn Pavillion
Alison and Peter Smithson, Tisbury, Wiltshire, England, 1962