Atmosphere is my style.
J. M. W. Turner zu John Ruskin
Ballroom House at Pampulha
Oscar Niemeyer, Belo Horizonte, Brazil, 1943, Foto: Pedro Kok
Foto: Robert Adams
Österreichische Nationalbank Linz
Erich Boltenstein, Eugen Wachberger, Linz, Foto: Lucca Chmel (1953)
Österreichische Nationalbank Linz
Erich Boltenstein, Eugen Wachberger, Linz, Foto: Lucca Chmel (1953)
Garagentor
Bernhard Fuchs, Neuschlag, 2009
Österreichische Nationalbank Linz
Erich Boltenstein, Eugen Wachberger, Linz, Lucca Chmel (1953)
Kimbell Art Museum
Louis Kahn, Fort Worth, Texas, 1972
Museum of Modern Art
Affonso Eduardo Reidy, Rio de Janeiro, 1953
Institute of Technology
Junya Ishigami, Kanagawa, Japan, 2009, Foto: Iwan Baan
Institute of Technology
Junya Ishigami, Kanagawa, Japan, 2009, Foto: Iwan Baan
South Bay Drive-In
Hiroshi Sugimoto, 1993
Luis Barragán im Innenhof der Acequia in der Alhambra
Granada, Spanien, 1924
Galvez House
Foto: Hiroshi Sugimoto (2002)
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Serpentine Gallery Pavillon
Peter Zumthor, London, 2011
Unité d'habitation
Le Corbusier, Marseille, 1952
Unité d'habitation
Le Corbusier, Marseille, 1952
Joseph Eichler Company
one of over 11,000 homes, California, 1950–1974
Wohnzimmer
Margarete Schütte-Lihotzky, Wien, Foto: Margherita Spiluttini (2000)
Aber alle diese Feinheiten, bestimmt, die Dauer des Bauwerks zu sichern, waren eine Kleinigkeit im Verhältnis zu denen, die er gebrauchte, wenn es sich darum handelte, die Erregungen und Schwingungen vorzubereiten, die in der Seele des künftigen Betrachters seines Werkes entstehen sollten.
Paul Valéry
Moriyama House Model
Sanaa, Ohta-ku, Tokio, Japan, 2002
»The Barn« Home and studio of A. Quincy Jones
California, 1950
Rain
Garden pavilion at the architectural biennial
Kersten Geers David Van Severen & Bas Princen, Venice, 2010
Architektur erzeugt Stimmungen. Die Architekten besitzen damit ein Instrument, Menschen glücklich zu machen.
Karl Schwanzer
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan
Atelier
1897, Foto: Charles Rennie Mackintosh
Architecture, sculpture and painting are specifically dependent on space, bound to the necessity of controlling space, each by its own appropriate means. The essential thing that will be said here is that the release of esthetic emotion is a special function of space.
Le Corbusier
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
WDR-Funkhaus
Peter Friedrich Schneider, Köln, 1948
Bourse du Travail Calais
Foto: Candila Höfer (2001)
Peter Zumthor in his studio
Brooklyn Bridge
Foto: Hiroshi Sugimoto (2001)