Performance still from Moving Target
Diller&Scofidio, Palais de Beaux-Arts, Brussels, 1996
The homesteader dugouts of Pie Town
New Mexico, 1940
Devendra Banhart | photographed by Lauren Dukoff for her book “Family”
Ise Gropius relaxing on the second floor terrace of the Walter Gropius House
Walter Gropius, Lincoln, Massachusetts, 1938, Foto: Robert Damora (1948)
Recollection
Walter Niedermayr
Recollection
Walter Niedermayr
Recollection
Walter Niedermayr
Recollection
Walter Niedermayr
Recollection
Walter Niedermayr
Jérôme Dreyfuss and Isabel Marant’s rustic cabin on the Loing River in Fountainebleau, France
Ocean Swimming Pool
St. Malo, France
Erste Bilder zur Therme Vals, Blockstudien »Steinbruchbilder« Felsblöcke stehen im Wasser
Peter Zumthor
Garagentor
Bernhard Fuchs, Neuschlag, 2009
Garden pavilion at the architectural biennial
Kersten Geers David Van Severen & Bas Princen, Venice, 2010
Villa Katsura, Steinweg
Kyoto, Japan, 17. Jhdt., 1954, Foto: Ishimoto Yasuhiro (1954)
Shulman House and Studio
Raphael Soriano, Los Angeles, 1950, Foto: Julius Shulman (1950)
Foto: Robert Adams
Fingerle Haus
Christoph Mayr Aichner, Klausen, Südtirol, 2005, Foto: Walter Niemeyer
D.E. Shaw and Company Office
Hiroshi Sugimoto (1997)
Weese Residence
Harry Weese, Barrington, Illinois, 1958, Foto: Francis Miller
Foto: Julius Shulman
Villa Katsura
Kyoto, Japan, 17. Jhdt., Ishimoto Yasuhiro (1954)
Light Studies
Steven Holl
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Kloster von Tlalpan
Luis Barragán, Tlalpan, Mexiko-Stadt, 1960, Foto: Alberto Moreno Gúzman
Kloster von Tlalpan
Luis Barragán, Tlalpan, Mexiko-Stadt, 1969, Foto: Jérôme Habersetzer und Danièle Pauly
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
One of our interests is how to create a landscape for people.
Sanaa
Wohnzimmer
Margarete Schütte-Lihotzky, Wien, Foto: Margherita Spiluttini (2000)
Moriyama House
Sanaa, Ohta-ku, Tokio, Japan, 2002
Museum of Modern Art
Affonso Eduardo Reidy, Rio de Janeiro, 1953
Moriyama House Model
Sanaa, Ohta-ku, Tokio, Japan, 2002
Lunch with Charlotte Gainsbourg
The indistinction of inside and outside leads to the discovery of another dimension.
Deleuze & Guattari