Curtis Residence
Nathaniel Curtis, New Orleans, Los Angeles, 1962, Foto: John Dominis
Ocean Swimming Pool
St. Malo, France
The homesteader dugouts of Pie Town
New Mexico, 1940
REHAB Basel
Herzog & de Meuron, Basel, 2002, Foto: Margherita Spiluttini (2003)
Grand Central Station
New York City, 1941
Performance still from Moving Target
Diller&Scofidio, Palais de Beaux-Arts, Brussels, 1996
Tate Modern, Umbau des ehemaligen Kraftwerks zum Museum
Herzog & de Meureon, London, 2000, Foto: Margherita Spiluttini
Silvertop
John Lautner, Los Angeles, 1980, Foto: Julius Shulman
Heilig-Kreuz-Kriche
Josef Lehmbrock, Düsseldorf, 1958
Intuition is a very powerful thing — more powerful than intellect, in my opinion.
Steve Jobs
Heuhaufen
Bernhard Fuchs, Neuschlag, 2009
Moore House
Richard Neutra, Ojai, California, 1952, Foto: Julius Shulman
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
Convair Astronautics
Pereira & Luckman, San Diego, California, 1958, Foto: Julius Shulman
Weese Residence
Harry Weese, Barrington, Illinois, 1958, Foto: Francis Miller
Lewin House
Richard Neutra, Santa Monica, Kalifornien, 1938
Erste Bilder zur Therme Vals, Albigna-Staumauer, Atelier Zumthor
Christian Kerez
Gerätestadl
Bernhard Fuchs, Damreith, 2010
Foto: Coco Young
The image is the reality, therefore there is no reality.
John Lautner
Case Study House #8, Eames House
Charles & Ray Eames, 1950, Los Angeles, Pacific Palisades, Foto: Julius Shulman (1958)
Katsura Villa-Hauptgebäude
17. Jhdt., Foto: Ishimoto Yasuhiro
Katsura Villa-Hauptgebäude
17. Jhdt., Foto: Ishimoto Yasuhiro
Katsura Villa-Hauptgebäude
17. Jhdt., Foto: Ishimoto Yasuhiro
A certain type of perfection can only be realized through a limitless accumulation of the imperfect.
Haruki Murakami
Pennsylvania Station
1930
Pennsylvania Station
1930
Entwurf für die Bibliothek Royale de Paris
Ètienne Louis Boullée, 1784
Atelierhaus
Roland Rainer, St.Margarethen, Österreich, 2002, Foto: Margherita Spiluttini
Glass Palace
Frits Peutz Schunck, Heerlen, Niederlande, 1935
Paris
Paris (Grand Palais)
Alécio Andrade, 1975
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan