Deutsche Botschaft
Georg Lippert, Rudolf Gutbrod, Wien, Lucca Chmel (1965)
Deutsche Botschaft
Georg Lippert, Rudolf Gutbrod, Wien, Lucca Chmel (1965)
Convair Astronautics
Pereira & Luckman, San Diego, California, 1958, Foto: Julius Shulman
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault
University of Arts & Human Sciences
1995:2001, Lacaton&Vassal, Grenoble, Foto: Philippe Ruault
Wiener Stadthalle
Roland Rainer, Wien, Foto: Lucca Chmel (1958)
Wiener Stadthalle
Roland Rainer, Wien, Foto: Lucca Chmel (1958)
Geräteschuppen
Bernhard Fuchs, Neuschlag, 2009
Reading Room
Studio Mumbai, Nagaon, Maharashtra, India, 2003
Every experience is unrepeatable.
Italo Calvino
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
House Cap Ferret
Lacaton&Vassal, Cap Ferret, France, 1998, Foto: Philippe Ruault
Sammlung Goetz
Herzog & de Meuron, München, 1991–92
Lunch with Charlotte Gainsbourg
Ca'Dolfin Venezia
Foto: Candila Höfer 2003
Neige Fleur Bar
Hitoshi Abe, Tokyo, 1999
Schindler House
Foto: Candila Höfer (2000)
Foto: Roloff Beny
Chapel of Notre Dame du Haut
Foto: Hiroshi Sugimoto (1998)
Dominus Weingut
Herzog & de Meuron, Napa Valley, Kalifornien, 1997, Foto: Margherita Spiluttini
Terasse
Thomas Demand, 1998
Ise Gropius relaxing on the second floor terrace of the Walter Gropius House
Walter Gropius, Lincoln, Massachusetts, 1938, Foto: Robert Damora (1948)
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
Cobenzl
Anton Potyka, Wien, Foto: Lucca Chmel (1951)
Lichtung
Thomas Demand, 2003
A real architectural experience is not simply a series of retinal images; a building is encountered – it is approached, confronted, encountered, related to one’s body, moved about, utilised as a condition for other things, (…)
Steven Holl
Der Begriff der Atmosphäre stört den Architektur-Diskurs – er verfolgt diejenigen, die versuchen, ihm zu entkommen, und entgeht denjenigen, die ihm hinterherjagen.
Siegfrid Giedion in: Raum, Zeit, Architektur
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Swan Yard ch 5
Foto: Hélène Binet
Schindlers's House
Hiroshi Sugimoto (1997)
Peter Zumthor in his studio
Philippe Petit balances as he walks between the World Trade Center
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Blur Building
Diller & Scofidio, Schweizer Expo, 2002
Rosen Residence
Craig Ellwood, West Los Angeles, 1964
I believe in an ›emotional architecture‹. It is very important for humankind that architecture should move by its beauty; if there are many equally valid technical solutions to a problem, the one which offers the user a message of beauty and emotion, that one is architecture.
Luis Barragan
Volksgarten-Café
Oswald Haerdtl, Wien, 1950, Foto: Margherita Spiluttini (2003)