Ballroom House at Pampulha
Oscar Niemeyer, Belo Horizonte, Brazil, 1943, Foto: Pedro Kok
Seijo Apartments, living room connecting two courtyards
Kazuyo Sejima & Associates
Indoor Garden
Indoor Garden
Salzburger Festspiele – Ödipus Rex
CoopHimmelblau, 1994, Margherita Spiluttini
Villa Katsura, Steinweg
Kyoto, Japan, 17. Jhdt., 1954, Foto: Ishimoto Yasuhiro (1954)
South Bay Drive-In
Hiroshi Sugimoto, 1993
Acropolis Paths
Dimitris Pikionis, Athen, 1957
Acropolis Paths
Dimitris Pikionis, Athen, 1957
Acropolis Paths
Dimitris Pikionis, Athen, 1957
Workspace
Hof
Bernhard Fuchs, Kepling, 2005
Japanischer Pavillon auf der Biennale
Junya Ishigami, Venedig, 2008
Wohnzimmer
Margarete Schütte-Lihotzky, Wien, Foto: Margherita Spiluttini (2000)
All rooms are passages of light.
Yoko Ono in: The Other Rooms
Garden pavilion at the architectural biennial
Kersten Geers David Van Severen & Bas Princen, Venice, 2010
Österreichisches Parlament
Max Fellerer und Eugen Wörle, Wien, Lucca Chmel (1956)
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
House A
Sanaa, Tokio, Japan, 2006, Foto: Walter Niedermayr
Light Studies
Steven Holl
Wrapped Coast
Christo & Jeanne-Claude, Australia, 1968–69
The homesteader dugouts of Pie Town
New Mexico, 1940
Church of the Light
Hiroshi Sugimoto, 1997
Lewin House
Richard Neutra, Santa Monica, Kalifornien, 1938
Church of Light
Tadao Ando, Ibaraki, Osaka Prefecture, 1989
Tate Modern, Umbau des ehemaligen Kraftwerks zum Museum
Herzog & de Meureon, London, 2000, Foto: Margherita Spiluttini
Morning Cleaning, Barcelona Pavillon
Jeff Wall, 1999
Booth House
Smith and Williams, Beverly Hills, 1956, Foto: Julius Shulman
Artigas House
João Batista Vilanova Artigas, São Paulo, Brazil, 1949, Foto: Pedro Kok
Le Mistral
Charles Harbutt, Aboard Le Mistral, France, 1975
Aside from keeping the rain out and producing some usable space, architecture is nothing but a special-effects machine that delights and disturbs the senses.
Liz Diller
Foto: Hélène Binet
Lunch with Charlotte Gainsbourg
Atelierhaus
Roland Rainer, St.Margarethen, Österreich, 2002, Foto: Margherita Spiluttini